Here's a size comparison model chart of the core characters of my on-going web comics graphic novel.
Showing posts with label model sheet. Show all posts
Showing posts with label model sheet. Show all posts
Wednesday, January 31, 2018
Saturday, November 12, 2011
INSPIRATIONAL SKETCHES #1: Poses Portraying Character Interaction
As a director, I like to use inspirational sketches as a way to give aid and guidance to storyboard artists. For me, the entertainment value is more about character performance than camera angles. If the storyboard artist has a better way to convey the performance and/or the camera angle, then great! We'll use that!
But I believe that an animation director should be able to at least use quick sketches to convey how he/she envisions the acting in the script. The director should give a starting point for the storyboard artist to work from...after all, the director should be the one with the overall vision for the film.
Here are some of my inspirational sketches showing the ape triplets (Algeria, Angola, and Zaire) interacting. Sometimes they fight. Sometimes they act as one.
These sketches were gathered together onto model sheets to show personality attitudes.
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| The ape triplets are very much Three Stooges-like Larry, Curly, and Moe |
Tuesday, August 9, 2011
Boba Fett & The Star Wars Holiday Special
In mid-1978, the animation staff at Nelvana finished up on "The Devil and Daniel Mouse", and was put on George Lucas' "Secret Project". Remember, Star Wars had just come out the previous summer and was THE mega hit! So, it was exciting to see the initial designs for the sequel.
George had decided to introduce the new villain (Boba Fett) in an animated comic book format in "The Star Wars Holiday Special" that was going to air on TV in December of 1978. Nelvana was selected to produce the completed animation based on our "A Cosmic Christmas", which George liked very much.
At that time, Heavy Metal (Magazine) was the graphic cutting edge for Science Fiction/Fantasy. The decision was made to go with a graphic style based on the artist Moebius (pseudonym for Jean Giraud) whose art was appearing in the French magazine Metal Hurlant (published in the United States under the title Heavy Metal).
Here are the model sheets for Boba Fett (by Frank Nissen, who designed the show), some of my rough first pass poses, and thumbnail sketches. It was a challenge to animate a performance with a character that had no facial features to work with. I had to use hand gestures, head tilts, and body language.
Following the artwork is the animated comic book that introduced Boba Fett. The entire show was animated in 6 to 8 weeks. When viewing this material, remember that in 1978 full animation industry-wide was pretty much dead except at Disney's.
George had decided to introduce the new villain (Boba Fett) in an animated comic book format in "The Star Wars Holiday Special" that was going to air on TV in December of 1978. Nelvana was selected to produce the completed animation based on our "A Cosmic Christmas", which George liked very much.
At that time, Heavy Metal (Magazine) was the graphic cutting edge for Science Fiction/Fantasy. The decision was made to go with a graphic style based on the artist Moebius (pseudonym for Jean Giraud) whose art was appearing in the French magazine Metal Hurlant (published in the United States under the title Heavy Metal).
Here are the model sheets for Boba Fett (by Frank Nissen, who designed the show), some of my rough first pass poses, and thumbnail sketches. It was a challenge to animate a performance with a character that had no facial features to work with. I had to use hand gestures, head tilts, and body language.
Following the artwork is the animated comic book that introduced Boba Fett. The entire show was animated in 6 to 8 weeks. When viewing this material, remember that in 1978 full animation industry-wide was pretty much dead except at Disney's.
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